Amogh Bhatnagar.


Graphic Designer, among other things.
 


PROJECTS


Just Bodies – Aphtc / Album Art / 2026


14 Norient Festival / Key Visual / 2025


Coming From Mud / Visual Identity / 2025


Journeying Across the Himalayas / Visual Identity / 2025


Collage as Language, Language as Collage / Artist Book / 2024 / Halden Bookworks

Art India Magazine 30th Anniversary / Identity / Editorial Design / 2026
Art India Magazine 28_01 / Editorial Design / 2025

Art India Care Fund / Identity / Merchandise / 2025


Art India Magazine 27_03 / Editorial Design / 2024


Art India Magazine 27_02 / Editorial Design / 2024


Art India Magazine 27_01 / Editorial Design / 2024


Art India Magazine 26_04 / Editorial Design / 2024


From Where I Stand / Exhibition Identity / Publication / Website / 2023


Bezoar Delinqxenz / Book Design & Typesetting / 2022


Unreleased ‘Nike by You’ Campaign / Illustrations / 2022 / Art&Found


Kochi Muziris Biennale 2022 / Website Design / 2022

Lines of Sight / Publication & Exhibition / 2021


Why Not? / Visual Identity & Packaging / 2021


Editorial Illustrations / Various


Campaigns: Squadron 14 x Raw Mango / 2021–26


CURATORIAL


Common Nouns / 2024 / Squadron 14 


From Where I Stand / 2023 / Future Flow 


Lines of Sight / 2021 / National Institute of Design 


COLLAGE


Archive: 2025
2025: Collage tool


Archive: 2024


Archive: 2023


Archive: 2022



WRITING


The Arches of Lodhi Colony / Paper Planes 


Design as Authorship / Master Thesis / Available on Request
Design as Authorship v0 / Essay 


Indian Graphic Design / Essay 


Graphic Design Systems / Essay 





A.B. 2026


Chalk & Cheese Films
Visual Identity

2025, Independent







Chalk & Cheese Films is a Mumbai-based production company with the vision of crafting distinctive work that breaks away from conventional norms, offering fresh perspectives in ad films and the production and distribution of motion pictures.

Built from the initials ‘CC’, the logo deliberately resists the idea of contrast suggested by the name. Instead of separating or opposing forms, the letters are collapsed into a single, unified mark, intended to be read as a whole.  The mark also rotates on its side to reveal a friendly smiling face, with double the smile ;)). The graphic language is bold and fluidic, driven by a single heavy weight of Barlow Condensed in a rich, intense shade of red that drives the brand’s communication, accompanied by a muted blue as an accent.